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Photo Opportunity
Nina Torcivia
United StatesGALLERYCONVERSATION
On a journey of seven, or forty hours, one gets such an extreme dose of sensory overload it is a wonder some people ever get off.
The countless vendors that pass through the walkways of the cars are different at each stop. They sell everything from chai to gold chains, candy, even combs. Beggars and wanderers get on and off at various stages with the throngs of other passengers. From snake charmers to street performers, the scenery inside and out of the cars is ever changing.
Of all the trains in India, only one is so firmly imprinted on my mind that I think of it frequently. On a train from Nasik to Aurungabad a clan of thirty people stepped briefly into my life. Men, women, and children, piled into the already overloaded train car, and quickly found nowhere to sit.
Donned in brilliant indigo and rust-colored blouses, head wraps, and tapered, gauzy pants, they were a Technicolor vision. The most striking feature of this nomadic crew was easily the hardware that came with them. Large silver swords draped across men’s torsos, some bearing additional daggers, while others clutched small brass pots. Like a modern day tribe of prophets, the men were traveling with women dressed in surprisingly colorless outfits.
The children immediately started bounding up onto the small luggage racks above the passengers, while the women and little girls found random slivers of seats her and there. Across from my girlfriend and I, two plump girls nestled into the humid bench, pushing our imposing backpacks off to the side. The four of us sat facing each other. Their tiny soiled hands and dresses were the radical opposite of their older male counterparts, yet they possessed a beauty the others did not.
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